Beard Blog Movie Review: Three Billboards Outside Ebbing, Missouri (2017)

Raped while dying and still no arrests? How come?

three billboards
Mildred Hayes and her billboards

Three Billboards Outside Ebbing, Missouri is a dark and twisted tale about a mother and the tragic loss of her daughter. Frances McDormand plays a foul-mouthed smooth talking country woman who seems to have reached the end of her wits. After almost a year since her daughter was brutally murdered and no news from the Police, Mildred (McDormand) calls out the police chief in a very public way, on three billboards.

This movie isn’t about catching the murderer of Mildred’s daughter. It’s not about how she was raped and burned alive. It’s also not about how small town police departments are often notoriously complacent. This movie is about exactly what the title says, Three Billboards Outside Ebbing, Missouri. The billboards go up and the the small town around them comes crashing down. [perfectpullquote align=”right” bordertop=”false” cite=”” link=”” color=”” class=”” size=””]”An emotional ride with plenty of laughs, tears, and surprises.”[/perfectpullquote]

Sam Rockwell is becoming one of my favorite lesser-known actors. After Three Billboards… he cements himself on that list. Rockwell’s performance should land him an Oscar nomination for his portrayal of Officer Jason Dixon. Throughout the film you can see his character evolve and by the end you start to feel sorry for him, even after almost two hours of hatred.

The rest of the cast is great and they all turn in amazing performances. Woody Harrelson somehow jerks the tears right from your face while still making you laugh. McDormand’s rough exterior eventually cracks and you can see the shining light that’s been trying to get out for the entire movie. John Hawkes has a great supporting role as Mildred’s estranged husband. There’s even a surprise role by Peter Dinklage. Dinklage’s portrayal of James is delightful and well-spoken as usual.

In summary, Three Billboard Outside Ebbing, Missouri is fun, but deep down it’s tragic. We are carried through various instances of death and despair but writer Martin McDonagh peppered in enough comedy to keep us sane.

Who should see this movie?
Fans of dark comedies, viewers looking for an original movie, and people who like great screen performances.

Who shouldn’t see this movie?
People who don’t like natural (vulgar) language – It is rated R. That’s it. Everyone should see this film.

Score

9 / 10 – An emotional ride with plenty of laughs, tears, and surprises. One of the most original ideas I’ve seen in a long time.

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Beard Blog Movie Review: Murder on the Orient Express (2017)

It’s more than murder on a train.

Murder on the Orient Express is a remake of the 1974 classic of the same name. Both movies were adapted from the 1934 Agatha Christie novel also of the same name. If you’ve seen the original movie this story won’t be new for you, but the directing, acting, and sets are (obviously) different.

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Kenneth Branagh as Hercule Poirot

The cast of Murder on the Orient Express has a lot of heavy hitters like Kenneth Branagh, Michelle Pfeiffer, Judy Dench, Willem Dafoe, and of course Johnny Depp. We also get to see some unknown and up-and-comers such as Daisy Ridley, Josh Gad, and Lucy Boynton.

[perfectpullquote align=”left” cite=”” link=”” color=”” class=”” size=””]”Murder on the Orient Express had me questioning the entire plot about halfway through.”[/perfectpullquote]

Branagh is great as Hercule (not Hercules) Poirot throughout the whole film. I would love to see him play the character again in another story. His performance reminded me of Christoph Waltz’s portrayall of Col. Hand Landa in The Inglorious Basterds.

The one thing that disappointed me with Murder on the Orient Express is how the audience was given information over the course of the story. My opinion is based off the 2017 adaptation only, the novel may have it differently. Without spoiling anything (scroll to the bottom for spoilers) the audience is given way too much information too soon. Murder mysteries have this great tendency to sway the viewers opinions and then twist their minds at the end with the real outcome. Murder on the Orient Express had me questioning the entire plot about halfway through.

Who should see this movie? People who like murder mysteries, fans of Agatha Christie, and fans of the 1974 adaptation.

Who shouldn’t see this movie? Viewers who don’t like murder mysteries, hate French accents, or don’t have time to waste.

Score

6/ 10 – Not bad, not good, and probably not better than the original.

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Beard Blog Movie Review: Suburbicon (2017)

Nothing like this ever happens here.

A white man living in 1950s cliche suburbia contracts the mob to kill his wife so he can collect insurance money and run off with his sister-in-law. This plan unravels faster than you can say Suburbicon.

Suburbicon
Matt Damon struggling to get through this movie

First of all, I have a few problems with this movie:

  1. The actress that plays Matt Damon’s wife and sister-in-law is the same person, Julianne Moore. They don’t look different in the beginning and then the sister-in-law character goes a step further and basically becomes the wife.  [perfectpullquote align=”right” cite=”” link=”” color=”” class=”” size=””]”…it carries a lot of white guilt through the whole film.”[/perfectpullquote]
  2. We are given little to no information upfront about what is going on in Suburbicon which would be fine, but most of it never gets explained.
  3. The characters are so bland, emotionless, and boring that you never feel for any of them. At the end I was thinking “Oh well…”

In addition to those problems, theres a bigger, more upsetting issue with this film. While the aftermath of the mob hit is going on, there’s an entire plot around a black family moving into this previously white-only neighborhood. Suburbicon spends so much time on this, you think it has something to do with the main plot, but it actually doesn’t. I’m not sure why it was written into this movie but it carries a lot of white guilt through the whole film.

I love the Coen brothers’ movies. They have written some great American classics such as Fargo, The Big Lebowski, and No Country For Old Men, to name a few. Lately their writing has been a snooze, literally. I fell asleep all three times I tried to watch Hail Caesar! That, Inside Llewyn Davis, and A Serious Man have all been very weak in my opinion. But, as a die-hard Coen bros fan, I had to see this movie.

Unlike other Coen brothers movies, Suburbicon is directed by George Clooney which probably made a difference, for the worse.

Who should watch this movie? Fans of the Coen Brothers

Who should not watch this movie? Just about everyone

Score

3 / 10 – Most of the acting was good, but the directing and writing was very weak.

 

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