Scanning Photographs in 2022

photograph collage

The Inspiration

On the latest episode of one of my favorite podcasts, Reconcilable Differences, John Siracusa explained his latest project where he was scanning old photographs. He recently acquired a new multi-function printer and while testing the quality of the scanner stumbled upon an in-depth project. That got me thinking, ”this sounds like something I might want to do.” John goes on to detail his process and all the drawbacks up to the point of questioning why he is even undertaking this large task.

What’s My Purpose

As a once professional and hobbyist photographer I’ve been taking digital photos since 2002 and have amassed an iCloud Photo Library in excess of 50,000 images. That being said, I do posses some non-digital photographs that I’d like to preserve longer than I feel that I can take care of printed images. For a graduation present, my mother made me a scrapbook of my life thus far through photographs. This is a priceless keepsake that unfortunetly uses original photographs. Again for my 30th birthday she flexed her creative muscles again by making a photo board of more pictures from my first 30 years. She used about 30 original photos on this board and I’ve kept the board around since, because I wanted to keep the photographs it contained. This board was the perfect starting point to test drive a scanning project similar to John’s.

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Low-Light Shootout


Apple iPhone Pro Max vs. Sony a7III

Low-light photography is all the rage now on smartphones. Better sensors and lenses combined with artificial intelligence, machine learning, and other 21st-century buzzwords allow smartphone cameras to actually see in the dark. But how good are they?

Low-light photography has been around for a long time, especially on professional-grade cameras that can hold the shutter open for extended periods of time allowing the sensor to gather as much light as possible.
With the overhauled and widely acclaimed camera system on the iPhone 13 Pro/Pro Max, I thought it would be a good time to see how it compares to a “real” camera.
Using the same tripod and lighting conditions, I captured my backyard with both an iPhone 13 Pro Max and a Sony a7III mirrorless camera.

Let’s start with the iPhone 13 Pro Max, 10-second “Night Mode” capture1

ISO 5000 26mm f/1.5 2.0″ HEIC

You can see there’s not a lot of light here. 10-seconds is a long time to shoot an image handheld, but on a tripod, it’s not nearly long enough.

iPhone 13 Pro Max, 30-second “Night Mode” capture 2

ISO 6400 26m f/1.5 10″ RAW

A lot more light here, almost looks like it’s daylight outside. While the image is visible and you can see details, there’s a lot of noise present and if you zoom in you can see some blurring from noise reduction.

Sony a7III 10-second exposure at f/1.8

ISO 5000 50mm f/1.8 10″ ARW

Much more clearer detail here and has that daylight look like the 30-second iPhone shot. The high ISO gives it a softer look and has some visible noise.

Sony a7III 30-second exposure

ISO 1250 50mm f/1.8 30″ ARW

The ultimate night shot, at 30 seconds the sensor has enough time to capture enough light it can reduce the ISO and crisp-up all the details.
Some might say, “This isn’t a fair fight!”, but if Apple is aiming to take on the prosumer camera market, they need to have benchmarks. This three year old camera shows just how far smartphone cameras still have to go to be competitive.

If you’re looking to get great photos in a dimly lit room, an iPhone with Night Mode will do the job.
If you want to create daylight out of near-pitch-black, get a tripod and a big camera that can suck in all the light available.

Check out my iPhone 13 Pro Max review here (coming soon)

Macro Shootout


Apple iPhone 13 Pro Max vs. Sony a7III

Macro photography is capturing larger than life images to show detail on smaller objects that you normally don’t get to appreciate with the naked eye.

Apple’s most recent flagship phones, iPhone 13 Pro and Pro Max, have a new macro capability that allows the ultra wide lens to focus on objects that are as close as two centimeters. Macro photography is always fun to do especially with insects, flowers, and everyday objects. Never has it been so accessible to a consumer with the object they carry around in their pockets.

I’ve decided to see how well the iPhone 13 Pro Max does against a “big” camera with a cheap macro lens. 

I’m using a 7artisans 60mm f/2.8 lens that I purchased on Amazon, mounted on a Sony a7III, and honestly this lens is hard to use and not intended for a full-frame sensor, but let’s see how it looks.

I found a decorative wool pumpkin decorating our house for fall and through the woven nature would be a great test

Both images were artificially lit with an external LED light source to maximize detail.
You can see how much more detail and clarity comes out of the iPhone lens.

Here’s another comparison of a closer shot.

The iPhone 13 Pro Max macro capability is fantastic. Granted, I could probably match quality with an expensive macro lens on my Sony Mirrorless camera, but now I see no need with the iPhone camera.

Lastly, here’s a small collection of great macro images I captured on the iPhone 13 Pro Max.


In the two weeks since the iPhone 13 Pro was released I’ve been taking macro shots of everything I can find and like most new iPhone features I think this will stick around. We’ll see in a year how many macro shots from the iPhone I’ve accumulated.

Check out my iPhone 13 Pro Max review here (coming soon)

Real Photography on the iPhone 6s Plus

As a self-proclaimed photography enthusiast, I’m always trying to get the best shot as well as get my work seen by everyone. I normally do this by dragging my Nikon DSLR camera and several lenses around with me everywhere I go, just in case I see something that needs captured. My thought on great photography is 50% having the right eye to get the shot and 50% being in the right place at the right time. Both of those requirements don’t mention anything about having the best equipment.

A recent business trip took me to Las Vegas and during my free time, I ventured out to Valley of Fire State Park. This is one of the most unique places I’ve ever been. Because of my short trip and hassle of bring multiple bags, I opted not to bring my Nikon DSLR with me on this trip. I do have my new Apple iPhone 6s with me at all times, so I decided this would be a great place to test the newly upgraded camera.

The ability to climb around on rocks, hike down trails, and quickly snap great pictures without having to be mindful of my expensive camera equipment was great! Up until now I have never thought of a phone as a realistic replacement in hopes of capturing great photos. The new Apple iPhone didn’t let me down.

Here are some of the great shots I got on my short trip:

The new camera sensor as well as the optical image stabilization were key to getting great photos from such a compact device.

I’m going to continue to investigate this and might even try bringing both cameras on the next trip.

Shooting Photos on the new Apple iPhone 6s

Brad Magin swapped out his usual DSLR camera for the new Apple iPhone 6s plus on 9/19/2015 and shot some really amazing photographs in various lighting.

The upcoming iPhone 6s is the biggest camera bump Apple has included in a new iPhone. These photos give you a glimpse of what is possible in this next generation device.

Check out this link for the gallery: